As your parts-work experience
grows, you’ll develop a facility with each of these communicating
"channels". Let’s take a look at the main modes:
Using
Your Inner Voices
What's a
thought? We all
have them, yet it’s hard to describe exactly what they are. For most of
us, they’re (usually) coherent streams of silent words and phrases -
sometimes linked to images or emo-tions, other times not. The inner-family
concept suggests that our thoughts are the voices of many (not all) of our
parts. Before accepting the reality of subselves, most of us say (or think) "I’m thinking." That changes here to "part of me is ‘talking’."
Notice your current thoughts, and say out loud
"One of my subselves is causing these inner word streams." Notice
also that you can allow inner talk to happen or divert it. You probably
can't completely stop thinking - right? Try it. Also experiment with
"creating" inner sounds, like laughing, bellowing, bells ringing, water
moving, thunder, animal sounds, and favorite tunes or lyrics.
Parts work uses this
universal ability to communicate "inside" to interact with
subselves. To meet one, you (your Self) focus on them, and think an
inner question or comment, like "Are you the one who’s waking me up
at night?" Then "be quiet," and notice any response
without judgment: a thought,
feeling, body sensation, or several of these.
"No response" is a
response.
If a thought,
image, or "sense" forms, that’s
a subself replying to
you. By alternating comments or questions from your Self and sensed
responses, you can dialog with selected subselves. Allow this to feel alien
and weird at first. You'll soon get used to it, and may wonder how you got
along without these rich inner dialogs. Typical kids are quick at learning
to talk fluidly with their subselves.
Parts conversations can be
internal (silent), or you can speak out loud. I’ve shared profound mo-ments
with clients who encouraged a subself to use their lungs and vocal chords to
make sounds for the first time in their life. Instead of "I’m talking
to my self" which may feel silly or weird, try saying "I’m
giving one of my subselves a voice." Experiencing inner
conversations, alone or with a helper, can feel much dif-ferent! Pause and
notice your thoughts and feelings now. Is anyone commenting on the ideas we
just co-vered? Who?
Changing Chairs or Locations
Psychologists Hal and Sidra
Stone have developed an inner-family process they call "voice dialog." In
"Embracing Our Selves," they write
about many clients who would change their seats during a parts session to
access different inner "voices." I’ve experienced the same
thing.
A woman I’ll call Joan would have inner-family shifts regularly during our sessions.
An angry ado-lescent part would talk on the left end of the couch; a sad one
spoke with a very young voice from a separate chair, and Joan’s Self would
speak confidently from the right side of the couch. This evolved
spontaneously - it wasn’t true when we began, nor did I coach it.
Imaging
and Sensing
Some people are more visual
than others. Others are more oriented to sound or touch. They easily see or
sense inner images of both real things ("picture" your car), and
non-real things like dream-scenes and imagined sights.
For instance, see if
you can image a mouse and an elephant having tea. if you can’t, you’re
still OK! Visual people can develop the ability to see or sense symbolic
images of their parts, and often the parts’ actions and surroundings. Such
images are rich sources of information about your inner team and it’s
members.
If you are visual, two
options for your Self are: (a) intentionally pick an image that seems to fit
a given part, or (b) invite the subself to show you it’s own preferred
image. I recommend the latter, because asking a part how it wants to
represent itself is more respectful than "forcing" an image on it.
My experience is that -
depending on their sense of safety, some subselves will pick an initial image
(or none), and then adopt a more "real" one later in the work.
Others don’t need to do that. Some subselves can use several different images
at different times, depending on inner and outer circumstan-ces.
Typical subself
images people describe are of full or partial human adults and children,
including infants and even embryos. Other images have been "a
pile of black dirt," "a ferret," "a huge gray
boulder," a "soft white light," "a fairy like Tinker
Bell," and other non-human forms.
There is no right way to image a
subself
other than what they and you feel is fitting.
Note also that,
like photographs, the image of a part is a symbol - it’s not the
part
itself.
As with many inner-family explorers, one client discovered that her "Guilt
Tripper" (Inner
subself used the image of her younger real-life mother, frowning and angrily
critical. Stay clear that such a part is not "my mother." It is a
unique subself who uses the image of "my mother" to
represent herself, like a costume. This distinction is important to avoid
projecting feelings you have about the real person onto a subself.
Memories
A phenomenon that’s so
common as to be unnoticed is our ability to remember past inner and outer
events. Memories can be seen as another
"channel" some subselves use to communicate with.
A related phenomenon is "forgetting" and local amnesia. This may be seen as a
or
habitual protective action to keep us from
expected harm or
Some (not all) people doing patient meditation and parts work can
safely re-gain some repressed memories - i.e. a subself can gain enough trust
in current inner and outer safety to "release" the old im-ages.
Typically the repressed material is about events which were experienced at
the time as exception-ally painful, threatening, or
See also
"Body Memories" and "Flashbacks" below.
If you’re visual, use steps
like these to develop your ability to "see" or "sense"
the images your parts want to use:
Get quiet, relaxed, and
physically comfortable, in a non-distracting place. Breathe comfor-tably
from your belly (vs. your chest).
"Clear your inner
space" in your own way. Perhaps imagine erasing a blackboard,
clearing a table-top, being by a calm lake or pond, raking sand into
smooth patterns, or focusing on a pleasant pastel color. Quiet your thoughts.
Think or say softly something like "I am still now" several
times. Breathe easily and naturally.
Focus your thoughts on the
subself you want to "see." With peaceful interest and expec-tancy,
invite an image to form, or ask the subself to give you an image it would
like to use to represent itself. Trust the first thing that happens - including
"no image."
Be alert to other
subselveds
having a significant reaction to the image. If some judgmental or analytic
part wants you (your Self) to edit or reject the image that comes (inner voice:
"That doesn’t fit - that’s crazy!"), acknowledge and decline
their urge. If some parts are up-set, scared, or even disgusted by the
image, acknowledge and reassure them - and stay focused. Use such
reactions to learn more about those subselves after you’re done with the
current task.
Focus on the image and its
surroundings. Neutrally notice as much as you can, like an ob-jective
reporter. For instance: "My sad part looks like a barefoot 7-year-old
girl in a brown dress. She has stringy blond hair, and is sitting hunched
in a corner with her arms around her knees. I can’t see her face yet.
The corner is sort of dark gray, and bare. The floor seems to be wood. I
can’t see anything else now."
Notice your feelings and
attitude about the part. If other than a compassionate interest, know that
another subself may have
with your
Self. Work with that part to see what it needs, if that feels
right at the time (see "Unblending").
When a parts session ends,
journal (soon) about both what you experienced and any emo-tional or
physical reactions you noticed along the way.
Writing
and Drawing
Some members of your inner
family are most comfortable and fluent communicating non-verbally. Here are
some options:
Monologing
Using your
parts-work journal or log, focus on a given subself and invite it to express
itself by writing it’s current thoughts, feelings, goals, hopes, fears, and
A key here is to accept and write or draw
anything that comes up,
without editing or analyzing. As you do, other subselves
may want to cri-tique, comment, or block the Writer.
Reassure them (your
Self) that there’s enough time for each part to be attended to, and stay
focus-ed: honor the subself that’s currently communicating. As you do, your
other subselves will gain trust over time that You’ll honor them, too (if you
do!). That’s part of effective teambuilding.
As
your experience with parts-work grows,
you may notice that different parts have unique handwri-ting, vocabularies,
and styles. This helps in times where you’re not clear on who’s
communicating.
Right or Left Hand
Experiment with writing or
drawing with each of your hands. Many subself-explorers discover some inner
members have a clear preference or aptitude for one hand over another.
Using your non-dominant hand may empower some parts to communicate for the
first time. If you have protective parts who
at this, acknowledge that
with affection - and try switching hands anyway.
Using Different Media
Try writing or drawing with a
variety of media. Some parts may feel freer to express themselves with a
pen, a marker, crayons, a pencil, or paints. Some may like prose, others
poetry, while still others want to draw, sculpt, make a mural, a collage, or
just scribble.
Dialoging
Sometimes it’s
helpful
to let a conversation between two or more subselves develop on paper. One way to
do this is to divide a blank page into two equal columns with a vertical
line. Invite your Self or another subself to write on the left side, and
record another part’s responses on the right side. An alterna-tive is to
let a dialog unfold on the page the way the lines in a play or transcription
are written:
S(elf): "Are you the
part who’s giving me the angry feelings?"
P(art): "What if I am?"
S: "I’d like to know
more about why you’re angry. Will you tell me about that?"
P: "Maybe. I don’t
know..."
Continue learning ways to communicate
with your subselves and other techniques...
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